: the usual strung out sequences of arpeggiated banality, driven by the rise and fall of fast-moving but still leaden triplets, and vacuously formulaic. Beckett vehemently disapproved of the production of Endgame at the American Repertory Theater (Cambridge, Massachusetts which featured JoAnne Akalaitis 's direction and Glass's Prelude for timpani and double bass, but in the end, he authorized the music for Company, four short, intimate pieces for string. 3) and Kundun (1997) about the Dalai Lama, for which he received his first Academy Award nomination. "Philip Glass wishes he had time to take a four-hour hike". Glass published his memoir, Words Without Music, in 2015.
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